And now, we have my second playlist of 2025, covering the stuff I was listening to for the first four months of the year! There’s some more catch-up from the end of 2024, but also a lot of new releases too! I really enjoy putting these together and talking about the music that I’ve been enjoying (and I’d even like to think that my ability to write about music is improving too), I just wish the whole “building playlists and getting it formatted and published” side of things was a little quicker.
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Anyway, I’m off to enjoy the rest of my Memorial Day, but first, my usual quick reminders: a lot of these artists (especially the smaller ones) have Bandcamps where you can support them directly! And if you’re interested in these articles and would like to know when one gets published, I have an email list that I use to notify when new things get published! (It’s separate from my baseball mailing list too, for anyone on that one as well).
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​Note: Only one song is missing from each list, which might be a first for these? Alpha and Natsume’s collab “Idea” isn’t on YouTube, but it is on Soundcloud. Meanwhile, Alpha’s solo effort “everything” is not on Spotify (or their Soundcloud, for some reason), but there is the YouTube video in the playlist. Also, I'm still doing that 'album title in single quotes' thing to make formatting a little easier.​
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​The Playlist (but as an article)​
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​Great Grandpa: I didn’t really know what to expect from Great Grandpa’s ‘Patience, Moonbeam’ going in other than liking the early singles, which I saw getting some praise before the album dropped. I wasn’t really familiar with their earlier records (which were from a few years ago anyway, as the band has been on hiatus since 2019 or so), and while I pay some attention to big stuff in the indie rock scene, I feel like I usually don’t stray as far into the more folk-ish side of things? I don’t know, maybe people more in tune with those sides of things will have different opinions, but I think so far, ‘Patience, Moonbeam’ is my favorite album of 2025.
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It all just sounds so amazing, lush and layered, warm and intimate. But it’s all in service of such pretty arrangements, too, full earthy guitars and stacks of voices and string sections. There are just so many small parts that stand out in my memory because of how good they sounds, but also how good they are in the song, from the cello mirroring the melody on “Never Rest”, to the pedal steel guitar on “Junior”, the mirrored vocal harmonies of “It’s funny how I need you/Damn” on “Emma” and “Doom”, the drums and pianos on closer “Kid” (really, everything on “Kid” is amazing, it can easily bring me to tears when it all comes together).
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